Maria Henshall, art. 5 "To sum it up"

For the foreseeable future, the climate crisis will continue to be the most challenging hurdle to overcome for the buildings industry. As one of the largest contributors to carbon emissions, the industry has a long way to go to find a sustainable model for the future.

However, over the last few years, many practices have started making commitments to meet sustainability targets. The ‘Architects Declare’ movement has had significant uptake by practices globally and has shown lots of ambition amongst architects to find sustainable design solutions. Although there has been some skepticism and conversation around how attainable the commitments are, being a signatory is widely considered to be an important statement to make as a practice.

These commitments signal a move towards putting sustainability at the centre of design agendas. The more that sustainability and environmental design becomes the base-case, the more we will see sustainable design being implemented at the very early stages of projects, which is when designers can have the most impact on the project outcome.

The scale of the buildings industry is what makes addressing the climate crisis such a tough problem to tackle. However, there are ways of beginning to break down the scale of the challenge by taking on small changes at a time. Focussing on aspects such as legislation can have wide-reaching effects and can be affected by everyone. Planning and regulation systems should be actively promoting a regenerative built environment, with issues such as embodied carbon, biodiversity loss and pollution at the top of the agenda.

A big part of achieving this change is by expanding the conversation around architecture and making it more accessible to those outside the profession. By de-mystifying the language and terminology members of the public and those impacted by architectural projects can be more empowered to engage in activism and consultation.

Companies and brands respond to consumer expectations in all industries and this applies to architecture too. The building end user is an important part of the brief and the higher the climate crisis is on their agenda, the higher it will be on the agenda of developers, investors and policymakers. Architects, therefore, have a role to play in widening the conversation and understanding the change that is needed to implement sustainable design practices. Making sustainable language part of our everyday work is essential and having a good knowledge of the issues will improve how designers make decisions.

The last few years have seen a significant rise in activism within the profession with designers pushing for greater embodied carbon accountability, a move away from the demolish-and-rebuild model, and a growing interest in the intersection of human health and planetary health. I am excited and interested to see how the profession will use its creative capacity to start addressing the climate crisis, improving human health and creating spaces that are socially, economically and environmentally sustainable.

- Maria Henshall

Maria Henshall, art. 4 "Architecture and Energy"

Understanding how buildings use energy is key to tackling the climate crisis, not only from an architect's point of view, but also from a building user's point of view. Sustainable architecture should fundamentally aim to be energy efficient to reduce our demand for natural resources, but when it comes to talking about building energy there is a lot of terminology and many buzzwords that get used.

Some of the terms that often get used in the context of sustainable architecture include ‘passive’, ‘net zero’ and ‘offsetting’. But what does each of these mean and what are the implications on building energy demand?

The context for this conversation is that we currently don’t have a realistic clean energy source that has no environmental ramifications. No matter how we produce and distribute energy it has some impact on the environment. In theory, the only way to produce a completely sustainable building would be to avoid the use of energy altogether. In practice however, this isn't realistic as human health and comfort is also a priority that needs to be considered in inhabited spaces. So we have to find ways to design that minimise our energy consumption, whilst maintaining internal comfort.

Passive Design

The first and most important design strategy for reducing energy consumption in a building is passive design. This refers to how the design uses the physical characteristics and physics of the building to move air and protect from the elements whilst creating a comfortable internal environment.

The shape of the building can be used to drive natural ventilation, shade from overheating and use physical mass to protect from outdoor temperatures. However, this has limitations when you bring into play weather extremes. High or low external temperatures, wind, rain etc will have an impact on what temperature the internal space reaches. This can also be affected by large numbers of people in a space, which can cause temperatures to rise and also contributes to higher levels of CO2, which makes a space feel stuffy and can cause drowsiness.

So passive design can work in certain circumstances, and should be used where possible, but it doesn’t work for all building types and uses. This is when mechanical systems are introduced to drive ventilation, provide heating and achieve good light levels.

Low energy design

The vast majority of buildings use energy for heating, cooling, lighting and ventilation, which consume enormous amounts of energy globally. By designing to passive principles we can reduce the energy demand of the building but it is also possible to design for low energy mechanical systems.

Passivhaus is a design standard that aims to minimise energy consumption of a building by highly insulating and providing good air tightness, but crucially, these systems are supplemented with energy efficient mechanical systems that maintain internal comfort. The ‘MVHR’ (mechanical ventilation with heat recovery) draws stale air out of the building, and extracts the heat from this to warm up fresh air coming in. This means that wasted heat from our bodies, computers and kitchens gets reused to heat the building.

By thinking resourcefully about space and energy we can reduce the energy intensiveness of our buildings and further reduce our demand for natural resources.

Net Zero Energy Building

Ideally, a sustainable project will have implemented as many energy efficient design considerations as possible from the outset, but there will likely still be a remaining demand for energy in the building.

Net Zero Energy describes the idea that the total amount of energy consumed in the building can be matched by energy generated on site. This could include energy generators like solar panels, wind turbines, or ground source heat pumps. You therefore end up with a ‘net zero’ expense on energy as all the energy you need is created by the building.

Net Zero Carbon design

‘Net Zero’ often gets mentioned in isolation, but it’s important to understand the difference between ‘net zero energy’ and ‘net zero Carbon’ design approaches. In principle, these both relate to the idea that the amount of energy or carbon required in a building is balanced out by applying additional measures that balance the scales.

In the construction of buildings, carbon is emitted as part of the construction process (embodied carbon) and in the operation of the building (operational carbon). To reduce this impact, designers can consider measures to reduce the amount of carbon emitted.

Operational carbon is directly related to the energy efficiency of the building as it is largely a result of the amount of energy used in heating, lighting, ventilating and powering the spaces. To reduce these, passive design strategies and on site energy can greatly reduce the operational carbon emissions.

Embodied carbon is more tricky and is connected to the types of materials and construction methods used. The best way to reduce embodied carbon is to source materials that are least energy intensive to extract and manufacture, or that sequester carbon. Sequestering refers to the process of absorbing and ‘locking in’ carbon, specifically in wood, which absorbs carbon during the time that it grows. This is then contained in the physical material of the timber, which can be stored in the fabric of a building. The overall effect is that more carbon is locked into the fabric of the building itself, than was emitted as part of the construction process.

Offsetting

Net zero Carbon buildings are achieved by balancing out the amount of carbon emitted in the construction process. This process of balancing is commonly known as ‘offsetting’. In addition to the example mentioned above, using timber to offset carbon, offsetting could be achieved by including on site energy strategies, or by contributing to planting trees which absorb more CO2 during their life cycle.

Offsetting a term that is often advertised by companies or projects as a sustainability credential, to advertise ‘greenness', and whilst it is a good measure to balance out an otherwise sustainable design, it is not best practice by itself. The best approach is not to offset at all, but aim to reduce emissions from the outset of a project. It’s important to highlight that large scale extraction of fossil fuels can’t be undone, regardless of what offsetting measures are used.

Offsetting measures such as planting trees, whilst great for biodiversity and CO2 absorption, will not have a meaningful effect on carbon emissions in the short term. If we are attempting to offset large amounts of energy spent as a result of inefficient building design, we are applying a band aid solution to a deeper problem.

Terms such as ‘offsetting’ are often presented as a complete approach to sustainability, but do not address the more fundamental work that needs to be done to meaningfully impact climate change. Reducing building energy use and carbon emissions are central to creating sustainable architecture and it is essential to make sure that terminology of this topic is well understood to help us evaluate sustainability claims when they are made.

- Maria Henshall

Q1. What is embodied carbon and how can we reduce it?

What is embodied carbon?

Embodied carbon is the total carbon emissions as a result of the construction of a building, including in the mining, transportation and processing of the building materials, the assembly of the building and on-site construction activities.

Why is it relevant in my article series?

In these articles, I am exploring how architects can contribute to the response to the climate crisis. Carbon emissions are a global challenge and understanding the embodied carbon of buildings is a significant part of the overall picture.

How relevant is it in architecture in general?

A building’s overall embodied carbon is impacted by the choice of materials and processes used in its construction.

Architects are fundamental in making these choices as part of the design process, and having a knowledge of embodied carbon is important for moving towards more sustainable buildings.

What could be done to reduce embodied carbon?

The manufacture of materials such as steel, concrete, aluminum, and glass for use in building construction contribute significantly to global carbon dioxide emissions. By selecting construction materials that require less energy-intensive manufacturing process, or raw materials that require less intensive mining processes we can reduce the embodied carbon of a building. Transport distances can also have an impact on the embodied carbon of a material when considering where materials need to be sourced from.

What can you do?

Engage with activism and petitions that challenge the current industry, for example ACAN, is campaigning to introduce embodied carbon legislation in the U.K. that would allow the planning process and building regulations to assess, report and reduce embodied carbon emissions of construction projects.

This legislation would bring a much higher level of environmental accountability to projects, which is currently too easily ignored.

- Maria Henshall

INFOGRAPHIC